Jungle night is a recording of jungle sounds at night in the Sian Ka'an Biosphere Reserve, Quintana Roo, Mexico. Its source calls it a forest. Felix Blume recorded it on October 27, 2015, and released it under CC0. The source lists some crickets, cicadas, insects and birds (sometimes).
Where was it recorded?
In the Sian Ka'an Biosphere Reserve, in the Mexican state of Quintana Roo. Felix Blume's page states a GPS position, 19.82420, -87.69150, and Freesound's map pin reads "Felipe Carrillo Puerto, Quintana Roo, Mexico." greensound's entry names the place as the Sian Ka'an Biosphere Reserve, Quintana Roo, Mexico, the same name the recording's own title uses.
Is it part of a project?
Its description says it was recorded during the Biosphere Soundscapes Residency, and links to biospheresoundscapes.org. The line above the description reads "Mexico Sian Ka'an - Biosphere Soundscape Project." That is all greensound says about it, because that is all the page says.
What are you hearing?
The source's own words. Its title is "Forest at night, crickets, cicadas and insects in the Sian Ka'an Biosphere Reserve," and its description says "with some crickets, cicadas, insects and birds (sometimes)." greensound names no species and describes no more of the texture, because the source doesn't.
How was it recorded?
Felix Blume's page lists a Sound Devices 788T recorder and a Bruel & Kjaer 4006 stereo AB setup (omnidirectional) with a Cinela Leonard windscreen. The original recording is 96 kHz, 24-bit, and Freesound lists the file at just over five minutes.
How is it different from night wetland?
Felix Blume made both in the Sian Ka'an Biosphere Reserve, three days apart. Night wetland was recorded on October 30, 2015, and its source title names frogs and crickets in a wetland. Jungle night was recorded on October 27, 2015, and its source title names crickets, cicadas and insects in a forest. Both are CC0.
Is it looped?
Yes. What plays is a loop of twenty to forty seconds cut from that recording of just over five minutes, with a 2-second equal-power crossfade baked into the seam so it can't click. The window is chosen to be steady: none of its quarter-seconds is more than 10 dB, about twice as loud, above the window's median. The loop is then turned up or down by one fixed amount to match the other sounds, and any rare loud peak is softened. greensound's owner listened to a preview of the loop and kept it.