Pink noise

Mix your own

Yucatán Peninsula, Mexico

Oaxaca, Mexico

Real field recordings. We name the recordist whenever we know who it was.

Noise

Made in your browser, not a recording.

green noise

Made in your browser

How loud each pitch is, low to high, drawn from the filter your browser runs.

Pink noise is noise whose level falls about 3 dB for every octave up in pitch, which puts it between white noise, which doesn't fall at all, and brown noise, which falls about 6 dB. On greensound it is made live in your browser from white noise and a filter of six parts added together.

What does 3 dB per octave mean?

An octave is a doubling of pitch: 400 Hz to 800 Hz is one octave, and 800 Hz to 1,600 Hz is the next. Pink noise gets about 3 dB quieter with every octave you go up. We measured the filter's output against that rule from 50 Hz to 10 kHz, and it stays within about 0.05 dB of a straight line. The drawing above is made from the same numbers the filter runs on.

How is pink noise made here?

It starts as the same thing white noise is on greensound: one random number per sample, generated in your browser by the audio worklet. Each number then goes through Paul Kellet's refined pink filter, which is six running sums, each leaking back toward zero at its own rate, added together with the sample itself and the one before it. Together they tilt the flat spread of white noise into one that falls about 3 dB per octave. There is no recording, sample or loop behind it, so it never repeats, and it is generated fresh every time you press play.

Pink noise or white noise?

White noise here is those random samples with nothing done to them afterward, so every hertz carries the same energy. Pink noise starts from the same samples and runs them through the filter above, so the low end keeps more of the energy and the level drops about 3 dB with each octave up. Side by side, pink has proportionally less at the top of the range than white does.

Pink noise or brown noise?

Brown noise here is built differently: a single running sum that leaks back toward zero, with its energy falling at roughly 6 dB per octave above about 150 Hz. Pink falls about 3 dB per octave, half as steeply. So pink sits between white and brown in how fast it falls, and brown, falling twice as fast, has proportionally the least at the top of the range.

Pink noise or green noise?

Green noise is white noise run through a band-pass filter centered at 500 Hz, so it is turned down at both the low end and the high end of what you can hear. Pink noise isn't centered on anything. It has no band to sit in, only the same steady fall as pitch rises.

Updated October 2026

Where the sound comes from

Pink noise. Made in your browser, not a recording.

Listen safely

This is a sound, played back through whatever speaker or headphones you already own. It doesn't diagnose, measure, or promise anything about how you sleep, focus, or feel — it's just noise and a handful of real recordings, mixed the way you like them.

Keep the volume low enough that you'd still notice a smoke alarm, a phone ringing, or someone at the door. If you fall asleep in headphones, choose a volume and a pair you'd be comfortable wearing all night, and a session length that ends when you'd want the sound to stop.

If you use this near a baby, keep the speaker several feet from the crib, never inside or clipped to it, and keep the volume low — the same care you'd take with any sound machine in a nursery.

If your relationship with sound, or with sleep, feels difficult rather than simply restless, a doctor or audiologist is the right person to talk to. This is a mixer, not a clinician.

Does pink noise need anything special from my browser?

It runs on the Web Audio API's AudioWorklet, which every current version of Chrome, Firefox and Safari (14.1 and later) supports. There's no plugin or download involved.

Is pink noise a recording of something real?

No. It's built from random numbers in your browser, with no sample, loop or field recording underneath it.

Is pink noise part of the free plan?

Yes, fifteen minutes at a time. Any one sound on greensound, pink noise included, is free to play for fifteen minutes, with a fade at the end. Pro adds the full mixes, layering and longer timers.

Can I run pink noise at the same time as a real recording?

With Pro, yes. The mixer supports up to six sounds at once, each with its own volume, so pink noise can sit alongside night wetland, beach waves or any other sound here. Without Pro, one sound plays at a time.

How loud should I set it?

The same guidance as any background sound here: quiet enough that a normal conversation, a phone, or a smoke alarm would still cut through clearly.